homeless in the land of plenty
Her next series in clay and mixed media was on homelessness. We usually ignore homeless people; we pass them by as if they were invisible. They represent the failures of our society and we don’t want to deal with them. Using clay and wood in narrative sculptural environments, Grabel captures the desolation and humanity of the homeless, living on the edge of society, surviving as best they can on the streets.
In this work, Grabel reflects on the urban environment: a place where on one block you’ll see boarded up buildings and the next, stretch limos. Commuting to Manhattan to her day job as a computer programmer and systems analyst in the early 1980’s she saw, daily, a homeless man in tattered dirty clothes huddled against a building next to an elegant store window.

Once Upon a Time
1989,
clay, wood, burlap,
h63 w48 d14 inches

Address Unknown
1989,
clay, wood,
h19 w48 d24 inches

Once I Built a Railroad
1988,
clay, wood,
h27 w18½ d20 inches

Discards
1988,
clay,
h12 w22 d8 inches

The Other Side of Christmas
1987,
clay, branches, burlap, tinsel, twine,
h74 w48 d48 inches

Shelter
1990,
clay, mixed media,
h38 w33 d37½ inches

Garbage Day
1990,
clay,
h12 w22 d8 inches

City Streets #1: Man in Sleeping Bag
1985,
clay, wood,
h28 w37 d24 inches

City Streets #2
1987,
clay, wood,
h28 w36 d24 inches

City Streets #3
1987,
clay, wood,
h17 w36 d29 inches

Social Security
1983,
clay, wood,
h11½ w45 d12 inches

City Environment #2: The Bag Lady
1983,
clay,
h17 w41 d41 inches